COSTUMES AND Makeup products OF SHANKARIAN THEATER. Deepak Bhuyan
unique halloween costumes. Sri Shankardeva of Assam, whom lived in the 15th-16th centuries, could be the Indian cultural mentor, greatest saint of this country. They spent his life within bringing before his men and women the ideals of a good living conceived on the background associated with Krishna culture. The discussion regarding costumes and cosmetics associated with his theater is one of the the crucial element of Assamese culture. The halloween costumes of Shankarian theater has been changing tremendously in course of moment. It is not an easy task to make a clear picture of costumes which are used in times of Shankardeva, because of non-availability associated with detailed snapshot. However breaking through through some scattered data of GURU CHARIT, Dr. Kaliram Medhi, Generate Birinchi Kr. Boruah, Dr. Bani Kanta Kakoty, and in the doctor's thesis of Dr. Maheswar Neog as well as Dr. S. N. Sarma drew the Shankarian theater costumes within their writings and research paperwork. Presumptions through various historical files of socio-political aspects are countable normally made available. Assamese miniature paintings are also the way to obtain getting vibrant touch with the Shankarian theater costumes. With a see to detail the subject the following ramifications has been made for comfort. 1. Historical background. A couple of Costumes and cosmetics employed in time of Shankardeva. 3. Costume along with cosmetics used in present some time and. 4. The variance involving tradition. 1. Historical qualifications. Peoples are accustomed using their native apparels from forever. No ethnic groups are seen to be worn others clothing forsaking their own, which they have been using via many generations. However some varieties of changes are noticed in this area. The imitations of clothing from others and building a new look of the imitated garments are common factors, generally noticed in the past and present period. So the convergence and divergences are the fact of the concerned subject. The particular apparels focus the racial characteristics of concerned racial groups or nations. Thus because of the identity and maintenance of tradition every cultural group or nation employed their own native apparels of their art and culture being a valuable asset. The traditional apparels are also a sound issue of culture. Depending on the stated utterance of the subject it is easy to believe that the native apparels were chosen for the Shankarian theater from its beginnings. It must be stated here how the native apparels of first period of Assam [1250 AD to 1600 Advert ] as well as its adjoining areas were of costly and gorgeous look. A unique and inspiring elaboration on this topic can be given from the writings of Dr. Birinchi Kumar Boruah. Dr. Boruah in his book -A Cultural History of Assam- wrote about the fabrics of Assam which - -- muga silk worm symbolizes its peculiar connection with Assam, * - The mejankari (muga ) silk is reported by Hamilton, constituted the dress from the higher ranks most of the idea being dyed red with lack. True silk, the modern Assamese white Pat Silk is called patta and is the product of Bombyx textor and Bombyx croesi which feed on mulberry trees. --- -- Stitched cloth was also manufactured, -- -- the biography of Shankardeva identifies a scroll of towel named Vrindabaniya kapor wherein the weavers associated with Tantikusi ( near Barpeta ) with coloured wools had woven the various views from the early life of Sri Krishna. Clothes of the people as reveled in the sculptures of the period consisted of just one unstitched undergarment like the present day dhoti. This became worn wrapped round the waistline, and hardly reached under the knee. It was placed tight at the waist by a girdle consisting of three or more groups fastened together by means of a knot in the centre, just below the waist line. Sometimes one end of the garment was allowed to hang in graceful folds in the front. -- - Women too have the symptoms of worn two garments, the top of and the lower. The lower clothes descended from the stomach for the ankles and was mounted by means of Navibandha . Now their dress comprises of three garments particularly, mekhela, riha and chelleng. The mekhela is a kind of petticoat in the form of an elongated sack available at both ends. It is donned by adjusting it both above the breast or round the waist. When adjusted around the waist the mekhela reaches for the ankles. The riha is a kind of decorated scarf which is wrapped across the waist. Over the riha is placed a sort of shawl known as the chelleng. -- -- The Ahom king and the dignitaries used to wear paguri ( head gown ). 2. Costumes and cosmetic makeup products used in time of Shankardeva. From the above statement it is proved the garments of Assamese people were within adorable position in the early period of Assam.
dog halloween costume According to some scriptural information it is known that california king Bhagadatta took part in the Kurukhetra battle sporting dhoti and other garments which were manufactured from Muga. Mulberry silk and muga silk had been available since the ancient some time and the weavers of Shankarian period ended up being of sound skill that's proved from the instance of Vrindabani bastra. The particular costumes of Shankarian Theater had been made from the indigenously available fabrics according to the required designs. The particular dying of the fabrics was also another striking feature involving Assamese garments making art, which has sound historical base. In the long elaboration of historical back ground it can be found that the native garments were abundant to be used with regard to theatrical purpose and the possibilities of employing extraneous garments are absolutely exterminated. The cosmetics and artwork materials of stage have been generally vermilion ( hengul ), yellow arsenic ( haital ), indigo, chalk ( dhal ), brown ochre ( gereu ), light fixture black, collyrium and mica. Female heroes put vermilion marks on their fore heads and a lavish little collyrium on the eye lashes. The particular said cosmetics and artwork materials, and other colour obtained from fruits and plants were chosen as make up materials regarding Shankarian theater. 3. Costume along with cosmetics used in present occasion. Dr. Maheswar Neog mentioned in his articles that much change has taken devote the style of dress in the course of the last four centuries. In accordance with his statement the Sutradhara is actually invariably dressed in white garment and it has two types of head dress: turban ( pag, paguri ), either with upright attributes ( thiya-kaniya ), elliptical from bird's vision view and slightly stuffed at the front end, as observed in Kamala bari Sattra or in the style , called Muglai limit , looking like the head-gear of the Mughul emperors, while using back end protruding, or the mind dress of some of the men Kathak dancers.
jessie toy story costume - - generally the Sutradharas use ready-made paguris of cloth. The later type is normally seen in the miniatures in previous Assamese illuminated manuscripts. The Sutradhara puts over a thin coat coming down towards the waist ( phatua ) without collar, together with or without long sleeves and with fastening or button-hole design below the arm abyss, and a skirt ( ghuri ) with really broad bottom ends decreasing to the ankle , resembling very much the immensely full blouse of Kathak dancer known as ghagara. A thin or thick waist band with hanging guitar strings of pearl like ovoids and a white neck-lace or garland full his costume. The kings and warriors are famous by their gaudy Halloween costume. The coloured waist-coat studded with glittering glass or mica, a frilled blouse ( ghuri with several frills) , coming down to the knee only along with a sort of tight pyjamas or a dhoti firmly wound round the legs. Throughout the last half century, these tasks have been using rich, velvet jackets coming down to the knees or perhaps below them and similar jeans, coming down to a little beneath the knees and stockings. These meterials are generally imported externally of Assam. Modern cosmetics can be used for make-up and painting, which cover the complete get up of modern theater. Four. The variance of custom. Everyone will be of exact same opinion that the utmost alternative of tradition is seen inside garments of Shankarian Theater. Because it's known from various sources that the garments which were found in time of Shankardeva was purely native with sublime antique. The good news is the garments ( costumes) found in Shankarian theater has distorted the actual glory of our tradition. These types of distortions have been done through using so called royal dresses of Bengali format. At the extremely outset of this writing it was mentioned that the identity of a sect or any nation can be purchased through its garments. As the garments focus the cultural characteristics of concerned cultural groups or nations. Only because of the identification and preservation of tradition every ethnic group or nation have been using their own native apparels in their art and culture. Otherwise these will be rootless and lose its identity . As an instance the regular theatrical performances and costumes involving Indian native people can be talked about. Kathakoli, ---- ----- ---- all performances are the instances of the said subject. In the event of Shankarian dance ( Sattriya Dance ) the halloween costume has been approved unanimously containing saved us from the unusual atmosphere. So the perfection of garments to be used for Shankarian theatre should be made as early as possible. This particular urgent and unavoidable pious task is to be done through the study of the miniature paintings of Sanshi Pator Puthi (Manuscripts created and painted on the bark of the tree Aquilaria agallocha ). For this purpose these manuscripts can be taken - 1. Ananda lahari, completed during the reign involving Ahom king Shiva Singha(1720 - 1722 AD. ) Only two. Gita govinda, during the reign of Ahom california king Rudra Singha ( 1695 - 1713 AD ). The miniature paintings of the manuscript is the combination of Satriya and imported Muslim style. 3. The manuscripts lasted from the period of King Shiva Singha my spouse and i,e, a) Sankhasur Badh. ( 1726 ) b) Uma harana. (1730 ) c) Hastividyarnava (1734 ). d) Sastha Skandha Bhagawata(1734) e) Dharma Puran (1735). Chitra Bhagawat etc. The research into various other works such as rock, bronze and terracotta associated with medieval origine are also countable in this respect. Huge possibilities of making magnificent Shankarian cinema costumes designs from the little paintings of the said manuscripts as well as other sanchi pator puthi available in various sattras of Assam might not be denied. A unique outcome with regard to our traditional culture as well as guarding the root of ethnic manifestations can be expected through this process. Your present-day costumes of Shankarian theater nonetheless bears no resemblance on the costume depicted in stated manuscripts. That's the proof of our deviation of traditional cultural history. All the miniature paintings associated with Assam which are available today are blend of Mughal, Mongolian and Sattriya art. It is observed in the linguistic and other national aspects too. The Turban regarding Sutradhara is the burning example of the fashion